Latent imprints

by Sveið

Federico Reuben - laptop improvisation / live coding
James Mainwaring - saxophone
Emil Karlsend - drums

Rising UK Trio Sveið Unleashes Human-AI Improv Collaboration That Will Blow Your Mind Wide Open

Pioneering the digital age just got better and 577 Records officially invites you to witness it.  Experimental UK-based trio Sveið just released a new album — and it’s wildly futuristic.  Latent Imprints presents the musical confluence of man and machine as they traverse the complex landscape that is AI evolution. You’ve got to experience it!
The recording comes to life where the worlds of avant-garde, improvisation, and modern technology collide.  It explores the concept of “latent space”, a cutting-edge phenomenon in AI music.  Within a multidimensional space, the machine’s infinite calculations generate combinations of sound, timbre, and rhythm — and then human talent takes it to the next level.
Sveið is an AI-powered group comprised of saxist James Mainwaring, drummer Emil Karlsen, and electronic artist, “laptop improviser”, and live coder Federico Reuben.  They are known for their predictably unpredictable sound born from their fascinating, entangled relationship with artificial intelligence.
All eleven tracks on Latent Imprints are named after mythological creatures from around the world — each spelled with a cyber twist.   They reflect the mythological qualities that emerge in generative AI outputs when influenced by real-life musicians.  In a time when AI is deeply woven into our daily life and often seen as a threat to creativity, this release fully illuminates the nuanced and ever-expanding potential for artists to adapt to, learn from, and challenge this technology.
“The album imagines AI as a contemporary, post-digital myth: a repository of glitched, shape-shifting creatures whose uncanny sounds both disrupt and extend human music-making,” the group explains.  “Entirely improvised and recorded in a single session, the album unfolds as a narrative that examines the shifting dynamics between humans and AI.“ It opens with a collaborative ecosystem where humans and AI symbiotically co-create. As the album progresses, the drummer and saxophonist are increasingly tested by — and temporarily replaced with — uncanny AI clones. 

About Sveið

Sveið is a new UK-based power trio, powered by AI, featuring saxophonist James Mainwaring, laptop improviser and live coder Federico Reuben, and Norwegian improvising drummer Emil Karlsen.

CREDITS

releases June 26, 2025

Recorded on May 17, 2024 by Alex Mackay in York, United Kingdom
Assistant Engineer: Sherry Yeh
Mixed by Alex Mackay
Mastering by Stephan Mathieu at Schwebung Mastering
Produced by Federico Reuben and Alex Mackay
James Mainwaring – saxophone
Federico Reuben – laptop improvisation/live coding
Emil Karlsen – drums

Artwork by Erin Robinson
Photography by Michael Hodges
Graphic design by Sergio Vezzali and Mark Smith

All music by James Mainwaring (PRS), Federico Reuben (PRS), Emil Karlsen (TONO)

AI models (RAVE, Caillon & Esling, 2021) trained at the University of York, Intelligent Instruments Lab (IIL), and IRCAM.
 
With support from the School of Arts and Creative Technologies, University of York.
Special thanks to 577 Records and the University of York.

577 Records is an independent record label based in Brooklyn, New York operating since 2001

577 Records
Brooklyn, New York
www.577records.com
©+℗ 2025

 

HYperromantic

by ARCO/Schopenhauer

Chihiro Ono violin
ARCO ensemble / Neil Luck director
Schopenhauer:
Federico Reuben live electronics
Adam de la Cour voice/guitar
Tom Jackson clarinets

HYPERROMANTIC is a radical take on Felix Mendelssohn’s Violin Concerto Op.64 of 1844 (often abbreviated to MenCon in Japanese concert shorthand) from soloist Chihiro Ono and experimental music-theatre ensemble ARCO.

Whilst the solo part remains totally intact and faithful, the ensemble is a diverse array of classical players, improvisers, sound artists, and academics each navigating their way through the score, and pulling one another in unpredictable, incongruous directions. ‘Mistakes' or ‘errors’ are subsumed into a greater undulating landscape. But crucially, the performance still somehow sounds and feels like the Mendelssohn of old. The Romantics understood nostalgia as a sickness or a mania to be cured, but lately nostalgia has felt culturally pervasive. Retro music genres and videogames, rebooted TV shows and movies, the kitsch and the kawaii, all warm blankets to wrap ourselves uncritically in. Maybe the music on this album is both relishing and challenging that, pitting 18th and 19th century classical instruments against 1980s synths, MacBook Pros, live contemporary musicology, and carpentry tools.

The release is balanced out by an evil doppelgänger of a set by the improvising trio Schopenhauer. Although separated by a clear century, the aroma of Romantic affects, sensibilities, and manias seemed hyper-relevant to the modern metropolitan human; warped into new aesthetic perversions. Schopenhauer’s music coughs up ‘bleeding chunks’ of Wagner (both recorded and live) in a kind of audio mulch that’s hard to prise apart, a Freudian dredging of it all.

ARCO is an experimental music-theatre company based in London and directed by Neil Luck. They make new work for diverse contexts and audiences. Chihiro Ono is a London based Japanese violinist specialising in Baroque, Classical, Contemporary, New, Experimental musics, as well as folkloric, noise, improvisation, field recording and the art of sounds. Schopenhauer is a trio that specialises in tasteless expressionist improvisations, dark dialectics, banal conservatism and trashy late-romantic kitsch. The album was recorded live at Cafe OTO with support from Arts Council England.

CREDITS

Recorded live by Billy Steiger at Cafe Oto, Dalston, May 2022
Produced by Andy Fell, Neil Luck, Chihiro Ono

Release date: 21 June 2024
Catalogue number: BRC25

 

Metallurgic Syntheruptions

by Schopenhauer

Federico Reuben - Live coding / electronics
Tom Jackson - Saxophone, voice
Adam de la Cour - Electric guitar, voice

Free 'Hyper-Romantic Post-Industrial-Industrialist' improvisation.

This recording documents the first ever Schopenhauer 'session' which took place sometime back in 2011. Incredibly, every musical prediction laid forth in this performance/recording has since come true.

“We can regard our life as a uselessly disturbing episode in the blissful repose of nothingness.”

― Arthur Schopenhauer

CREDITS

Released July 9, 2022

Mixed and mastered by Adam de la Cour
Cover artwork by Bingo's Art Studio.

 

Shadwell Bokeh

by Ramanan/Reuben/Sassi

Roland Ramanan - Trumpet
Federico Reuben - Live coding / electronics
Roberto Sassi - Electric Guitar

Shadwell Bokeh is an album of improvisations by Roland Ramanan, Federico Reuben and Roberto Sassi recorded in a rehearsal space, on 14 August 2011 in Dalston, London, UK.

CREDITS

Released January 17, 2022

Mixed and mastered by Federico Reuben
Cover photography by Roland Ramanan

 

Midlockdown listening :: HDArchive

by Federico Reuben

2 x 3.5" floppy disks

for floppy disks contact tmrwlabel@gmail.com 

Contents:

Disk I:

name: HDArchive_(Part1).mid
size: 1,009,147 bytes
duration: 204:02 min

name: HDArchive_(Code).txt
size: 44,880 bytes

name: HDArchive_(Words).txt
size: 47,581 bytes



Disk II:

name: HDArchive_(Part2).mid
size: 1,222,606 bytes
duration: 157:14 min

name: HDArchive_(TrackList).txt
size: 200,680 bytes

CREDITS

Released May 8, 2020

Digital tracks on bandcamp are .wav renderings of the .MIDI format from the 3.5" floppy disks.

Concept, programming and production by Federico Reuben

Artwork by Kamil Korolczuk

tmrw> label

 

BAZA

by Reuben/Korolczuk

Federico Reuben — live coding

Kamil Korolczuk — tapes & modular

Baza is an album of improvisations by Federico Reuben and Kamil Korolczuk recorded live at the iconic bar Baza in Krakow on 9 July 2017.

C-30 ferro tape
50 copies
riso printed cover

for tapes contact tmrwlabel@gmail.com 

Includes unlimited streaming of Baza via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

CREDITS

Released November 12, 2018


Recorded live at Baza, Krakow

Mastering by Federico Reuben

Artwork by Weiwei Leung

tmrw> label

 

Her High Noise

by Hanslip/Reuben/Hession

Mark Hanslip - Saxophone
Federico Reuben - Live coding / electronics
Paul Hession - Drums

Her High Noise is an album of improvisations by Mark Hanslip, Federico Reuben and Paul Hession recorded in one afternoon, on 17 June 2018 in York, UK.

CREDITS

Released September 20, 2018

Recorded with a Zoom recorder and an SE R1 microphone
Mixed and mastered by Federico Reuben
Cover Design by Eszter Takacs

 

6d696b75474f44

by Federico Reuben

One of Japan’s biggest pop culture idols for over a decade, Hatsune Miku’s synthesised voice and image have been used on hundreds of thousands pop tracks, videos, and franchised products worldwide. Powered by Vocaloid software, she represents the ultimate hyper-idol, a digitally rendered eternal bubblegum teen star. 

6d696b75474f44 is Federico's contribution to New Vocal Solutions (sampler), a collection of tracks by artists working with Miku’s voice and Vocaloid technology in strange and skewed ways. Painstaking programming, circuit bending, and algorithmic repurposing are employed to plunder the uncanny valley and dredge up layers of digital silt; an unexplored rich and mucky underside of pop subculture. 

Miku’s ubiquity and popularity is largely down to the independent, amateur, and open source fan communities that propagate her. As such, squib-box is making New Vocal Solutions (sampler) completely free to download. 

CREDITS

Released April 2, 2018

Federico Reuben - Composition, programming, production, mixing and mastering

Neil Luck - Voice, cover design

Hatune Miku - Vocaloid (synthesised voice)

 

A.I.LOVEs2scream

by Owczarek/Reuben

Paulina Owczarek - Alto Saxophone
Federico Reuben - Live coding / electronics


A computer screaming along with a saxophonist in machine-cosmic synchrony. Artificial Intelligence training, learning from human spontaneous invention. The machine becoming expressive, matching heightened states of consciousness, developing a taste for SWEET improvisation. A.I. trains for love, excess, pleasure, spirituality... heading for a brain freeze. 

A.I.LOVEs2scream is an album of improvisations by Paulina Owczarek and Federico Reuben. Recorded in one session on 22 January 2017, this album captures the coming together of two free improvisers with almost opposing methods, who yet manage to seamlessly integrate the organic with the synthetic, the physiological and the mechanical, the real with the virtual, the biological and the artificial.

CREDITS

Released September 1, 2017

Recorded with an SM58 and mixed by Federico Reuben
Cover Design by Eszter Takacs

 

Abhorrent

by Lash/Reuben/Baracskai

Dominic Lash - double bass
Federico Reuben - laptop
Zlatko Baracskai - synth


The Abhorrent trio joins improvising performers using different techniques and attitudes to yield musical expressiveness aiming at variety and exclusivity. Extended instrumental techniques and in-time composition is at the fingertips of Dominic Lash with his double bass. A laptop running SuperCollider implements interactive compositional machines using synthesis and recordings under supervision of Federico Reuben. Chaos arising from breaking modular synthesiser components is tamed by Zlatko Baracskai highlighting the aesthetic of error. The three together form a peculiar cohesion and unexpectedness traversing musical structures that border on the unknown.

Perro-ChimP

Federico Reuben – live electronics
Javier Carmona – drums

Perro-chimp is an improvisation duo comprising Javier Carmona and Federico Reuben and often featuring guests such as John Edwards, Fiona Bevan, Rachel Musson, Mark Hanslip, Adam de la Cour, Paulina Owczarek and Paloma Carrasco.

Perro Chimp @ Squib-Box

Live @ Resonance FMPerro-chimp + Rachel Musson

Live @ Resonance FM

Perro-chimp + Rachel Musson

Live @ Javier's FlatPerro-chimp + Owczarek

Live @ Javier's Flat

Perro-chimp + Owczarek

Live @ Kafri StudiosPerro-chimp + Fiona Bevan

Live @ Kafri Studios

Perro-chimp + Fiona Bevan

Live @ ICAPerro-chimp + Adam de la Cour

Live @ ICA

Perro-chimp + Adam de la Cour

 

Orwell Fragments

by Lash/Laubrock/Reuben

Dominic Lash - Dou­ble Bass
Ingrid Laubrock - Sax­o­phone
Fed­erico Reuben - Live Elec­tron­ics

credits

Released June 29, 2011

Recorded Live at Cafe Orwell, Brook­lyn, NY, 14.06.2011

Recorded with a Zoom recorder and mixed by Fed­erico Reuben. 

Cover Design by Eszter Takacs.

 

Sporcizia Accademica

by FreuPinta

Spor­cizia Acca­d­e­m­ica is a col­lec­tion of short exper­i­men­tal pieces deal­ing with real-time plun­der­phon­ics, musica derivata, robo-improv, vir­tual tran­scrip­tion and alter-electro quotes.

credits

released January 1, 2011

Per­formed by Fre­uPinta and var­i­ous oth­ers. 
Mixed and Pro­duced by Fre­uPinta. 
Cover Design by Eszter Takacs. 

Spe­cial thanks to the algo­rithms and plun­dered artists.

Mowgli @ Modern Art Oxford

Adam de la Cour – voice/accordion
Dominic Lash – double bass
Federico Reuben – live electronics
Fiona Bevan – voice
Javier Carmona – drums

Recorded live at Modern Art Oxford, 21.10.2010.

e-tudes square.jpg
 

E-tudes (2007-2009) is a performance and installation by Federico Reuben. This is a recording of a live performance of the piece.

 

E-tudes

by Federico Reuben

Credits

Performed by Piano Circus and Federico Reuben

Federico Reuben - Composition, live electronics

Kate Halsall, David Appleton, Adam Caird, Semra Kurutac, Helen Reid and Graham Rix - Keyboards

kepler.jpg
 

Esférica Cantándote (2005) is a composition for large ensemble inspired on the life and work of Johannes Kepler.

 

Esférica Cantándote

by Federico Reuben

Credits

Performed by Ensemble Royal

Hans Leen­ders - conductor

Arnold Schoenberg Zaal, The Hague, NL.

Nolans small.jpg
 

The Nolan's Supper (2004) is a composition for the Maarten Altena Ensemble inspired by the life and work of Giordano Bruno.

 

The Nolan's supper

by Federico Reuben

Credits

Performed by the Maarten Altena Ensemble:

Otto Tausk - conductor

Jelte van Andel - double bass

Karolina Bäter - recorders

Noa Frenkel - voice

Reinier van Houdt - piano

Wiek Hijmans - electric guitar

Koen Kaptijn - trombone

Michel Marang - clarinet

Anna McMichael - violin

Hans van der Meer - percussion

bimhuis, Amsterdam, NL

nagy_leny_olajvaszon.JPG
 

Daddy, buy me a radio monkey (2003) is a composition for celesta, saw, marbles and tape, inspired by Matthew Barney's Cremaster Cicle.

 

Daddy, Buy me A Radio Monkey

by Federico Reuben

Credits

Steve Potter - celesta

Ophir Ilzetzki - marbles

Richard FitzHugh - saw

Federico Reuben - electronics

Korzo Theatre, The Hague, NL

Cover - Painting by Levente Szűcs

ind ockeghem copy.jpg
 

Indefinite Ockeghem (2003) is a composition for percussion quartet based on Johannes Ockeghem's Missa de Plus en Plus.

 

Indefinite Ockeghem

by Federico Reuben

Credits

Performed by Jose Garcia-Rodriguez, Roberto Oliveira-Ogando, Ton Martinez-Risco and Lester Rodriguez Gomez - percussion

Schoen­berg Zaal, The Hague, NL